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How to become a participant in a prestigious exhibition
So, we will lift the curtain of the art world to share our experience.
Information about upcoming, large-scale, events can always be found on the Internet. It is hosted by both specialized publications and websites of exhibition complexes, the events themselves, and their organizers.
Special briefings are sent to those who have already shown and established themselves in the art world.
When receiving such a notification, we develop a concept, create a large production, and after weeks / months of work - depending on the project and the scale of the event, - we get a ready result.
This result is packaged in the format required by the organizers and sent for review. Thus, the simplest, and, at the same time, the most difficult part of the whole process begins. It is waiting for a response from the organizers of the event ;) Here, no matter how titled the artist may be, it is almost impossible to predict the results of the selection. And, you often have to wait months for an answer.
For instance, more than 200 applications were submitted for L'ANDART23, and only 58 artists were selected. The organizers evaluate not only the quality of the works, their compliance with the main idea of the event, but also artistic "compatibility" with the works of other participants. Of course, such decisions require lengthy reflection.
Coordination of the technical part also requires immersion, time and effort. After all, every artist has his own vision of how his work should look in space. It forms a Layout - a project for the presentation of works with all dimensions, equipment necessary for assembly of the installation, and other important details, which also needs the approval of the organizers.
The last stage of negotiations is the coordination of formalities, and the signing of contracts. Everyone probably knows what bureaucracy is. Therefore, comments are unnecessary.
The apotheosis of everything is the exhibition itself, to which the artist often approaches pretty exhausted by the preparatory stages. At the same time, friends, the moment of creation of works commonly charges with energy, but the solution of "non-artistic" issues takes the main amount of time and effort.
We do not pretend to be an expert on this topic, as we are still looking for ways to bring our works to light, and do not always find the right ones. Probably, there are some more humane and loyal ways to artists. Still, so far, our path looks exactly like this :)
Tell us if you are interested in stories from behind the scenes?
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BY Concept2048 ENG
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